Thanks so much for your kind words.
I've taught at a private school as a long term music sub, which while being the job that put me in the red (I kept asking when the normal teacher would come back, they never gave me a straight answer until I walked into my office one day to find her stuff there. After that they kept stringing me along in hopes that they'd start a full band program- I spent weeks putting together a proposal for it to be rejected for "various reasons").
I've been thinking about the regular job, but I have no idea what I can do to get me out of the red. Anything that would pay $80k+ just seems out of reach since those tend to be senior positions or for people who can code. I've tried coding many times but just can't seem to get it. Sales has burned me time after time and marketing just doesn't stick. I can do it for myself alright, but it's just not something that wants me around in the corporate setting.
Sadly so much of the music industry is for creating commercial music to be used for businesses. When music is a commodity to be bought and sold, humans aren't really necessary. Why would I pay a human to create a catchy tune for my advertisement when Ai can pump out something that does just fine? AI is also breaking the music tech side. It's not 100% yet, but Ai mixing and mastering is taking off. If I'm an artist, especially one on a tight budget, an Ai mixer could do just fine for my album when normally I might pay someone with the experience to do so. This might seem great for the artist, but once they have their album, they can get paid $20 a year from Spotify.
The tech spokespeople keep trying to convince us that Ai won't steal our work and livelyhoods. The thing is everyone in my industry, me included, don't buy it. These are the same people who said tech would bring Seattle jobs and prosperity, but all it did was raise rents and push out the artists. Tech bros will disagree and say Seattle is just fine, but they weren't the ones negatively impacted by the industry that allowed them to move there. There's a group of us in Chicago who call ourselves Seattle's artistic refugees.
We aren't the only ones- San Francisco, Boston, Austin, Denver- so many cities are losing their artistic communities that made them worth living in. There's still music in these places, but you'll notice those performances are taken by big names for people who can afford those $60+ tickets.
Hell, even Death Cab for Cutie wrote an absolutely heartbreaking bop.
Digging for gold in my neighborhood
For what they say is the greater good
But all I see is a long goodbye
A requiem for a skyline
๐๐๐
I'm not trying to be doom and gloom, but I can't keep living like this.
It was interesting because everyone thought she wasn't hungry and kept giving solutions for that, but it wasn't that she wasn't hungry- she kept pawing at me and walking over to the kitchen/ her food bowl, but just wouldn't eat what I gave her. She was very hungry, but I guess she was pickier than she was hungry.