Midway through Benedict Nguyễn’s propulsive trans volleyball novel, Hot Girls with Balls, Six, one of the book’s two heroines, struggles with mounting nerves as she prepares to play an important match. She is less worried about the actual gameplay than she is about the performance of her public persona, which she knows will be screencapped, shared and dissected by fans and haters alike: “For what sports arena was not also a theatre?”
Six and Green are the larger-than-life protagonists of Nguyễn’s dizzying satire. The two are both “very hot” Asian American trans women who play in a fictional men’s global volleyball league; they work tirelessly, not just in their volleyball training sessions, but also to curate and maintain their social media star status. Six and Green, who are also very publicly dating each other, are as canny and self-aware as they are hot—they know that their athletic careers depend just as much on their ability to bring in brand deals by amassing more and more followers, as on their prowess on the volleyball court. Hot Girls with Balls brims with charisma, envy, sabotage and taut, taut muscles. You don’t have to be a sports fan to be utterly compelled by Nguyễn’s vision—and to become just as obsessed with Six and Green as their fictional followers are.
Nguyễn’s knack for recreating the chaotic, hate-it-but-can’t-look-away nature of online discourse makes this, her debut novel, a text in perpetual motion. She is an athlete herself—a dancer and self-professed gym buff—and writes as deftly about the stresses, training regimens and team choreography of competitive sports as she does about the micro-details of being trans in the public eye. Hot Girls with Balls is an expertly structured text, its central narrative arc intercut and propelled by scrolls of livestream and forum comments from Six’s and Green’s supporters and enemies. Reading it is a dizzying experience, as overwhelming as scrolling through a constantly updating online comment section, while straining to follow the various polarized arguments that are being thrown around. Six and Green have taken the sports world by storm, showing volleyball fans that the game “wasn’t just balls but endless unspoken feeling filtering back and forth across the net.” Nguyễn crafts a text that mimics this emotional back-and-forth—the novel darts between the perspectives of our two star players as they train for a major tournament; curate their online personas; publicly manage their romantic relationship; navigate brand deals, media appearances, blatant transphobia, obsessive adulation and the pitfalls of solidarity and visibility discourse.
